Category: Design

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MillerKnoll design collective offers “unmatched” catalog of products

Promotions: one of the world’s largest collections of design companies, MillerKnoll says that each of its brands “offers a distinct perspective on design and a full portfolio of products”.

In 2021, the American furniture brand Herman Miller completed its $1.8 billion acquisition of fellow furniture brand Knoll and renamed the new group MillerKnoll.

Pallisade Dining Bench by Hay
Hay is also part of MillerKnoll’s collective. Image: Pallisade Dining Bench by Hay

According to MillerKnoll, its market size and scope make it an ideal partner to source and supply products “even for the most intricate of projects”.

“Our brands are leading the conversation on design – just as they have for over 100 years,” said MillerKnoll. “United by a belief that design can change the world for the better, they’re anticipating and shaping what’s to come, in ways big and small.”

Colorful table tops
Tun Table is a colorful table designed by NaughtOne

Each of its brands has a distinct offer, from ergonomic products for the office to comfortable furniture for the hospitality sector, but is united in MillerKnoll’s overall values, according to the brand.

“Working with MillerKnoll gives our clients a catalog of products and customizations that are unmatched,” said the brand.

A number of high-profile design brands are part of the collective, including Herman Miller, Knoll, Hay, Maharam, Muuto, Colebrook Bosson Saunders and NaughtOne, among others.

Images of plastic objects
The collective of brands is united in MillerKnoll’s values

Herman Miller produces pieces for the workplace, including seating informed by mid-century furniture design but with modern ergonomics, such as the Aeron chair by designers Bill Stumpf and Don Chadwick.

Knoll is best known for its modernist furniture, including the iconic Womb chair and Barcelona chair. Knoll’s Womb chair was created by designer Eero Saarinen and turns 75 this year.

“The Womb Chair defied conventions of what a chair could be,” said Knoll. “From the feminist instinct that sparked its inception to the materials and construction that allowed its organic form.”

Person sitting at a table
Colebrook Bosson Saunders creates award-winning ergonomic products that aim to enhance people’s wellbeing

Colebrook Bosson Saunders creates award-winning ergonomic products that aim to enhance wellbeing in the workplace and improve the connection between people and technology. A notable product includes its Flo X – a single monitor arm that can hold up to 43-inch large screens.

The product has won a number of awards since being launched this year, including the Red Dot Design Award 2023 for outstanding design excellence, and the iF Design Award 2023, which signifies design excellence.

Danish design brand Muuto aims to create furniture that is characterized by its “enduring aesthetics, functionality and craftsmanship”.

The brand combines traditional techniques with new materials to deliver fresh perspectives on Scandinavian design. Examples are its Fiber chair made from recycled plastic and the Cover Armchair, which brings a new perspective to the wooden armchair.

Recycled plastic chairs in Earth-based colors
Muuto developed the Fiber chair with a recycled plastic shell

According to MillerKnoll, the collective takes a sustainability-first approach and works with its global partners and brands to reduce its carbon footprint and source better materials.

The brand’s 2030 sustainability goals include using 50 per cent or more recycled materials, which are sustainably and responsibly produced; stopping its use of single-use plastics; reducing waste; and reducing the carbon footprint of the collective’s products and operations by 50 per cent.

Recently the brand has transitioned to purchase 100 per cent renewable hydro and wind energy at its largest facilities and began incorporating ocean-bound plastic in some of its most notable pieces.

In addition to prioritizing sustainable design, MillerKnoll says that all of its brands lead with research. According to the collective, each of its brands’ products is backed with data and testing with the aim that they will still be functional for up to 25 years from now.

The Aeron Chair in black and gray
The Aeron chair is a classic design by Bill Stumpf and Don Chadwick for Herman Miller

“As many of our clients know, successful execution begins with research,” said the brand.

“MillerKnoll’s research and innovation teams are integral to each of the products we build and how we work with our clients to layout their spaces.”

MillerKnoll is one of the largest collectives of global brands that supply products for the home, office and beyond.

To view more about MillerKnoll, including its products and mission, visit its website.

Partnership content

This article was written by Dezeen for MillerKnoll as part of a partnership. Find out more about Dezeen partnership content here.

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Chorney-Booth: Celebrate Canadiana at a new mountain-themed restaurant

Published June 30, 2023 • Last updated June 30, 2023 • 4 minute read

The Lodge
From left: Reece Brennan, Madi Stephenson and restaurant partner Chad McCormick of The Lodge Kitchen and Bar. Its located in the Legion building on Kensington Road. Darren Makowichuk/Postmedia Photo by Darren Makowichuk /DARREN MAKOWICHUK/Postmedia

It used to be that a restaurant’s design wasn’t essential to the overall success of the business. Yes, “atmosphere,” has always been a factor in restaurant criticism and there have been some extraordinary and inspiring outliers, but restauranteurs of the past didn’t necessarily agonize over coming up with a unique look or small décor details. For the most part, as long as the place looked nice (and clean) and there were chairs to sit in and tables to eat at, everything was copacetic.

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And then social media came along.

Over the last decade, interior design has taken center stage at even the most casual of restaurants in Calgary and around the world, with the names of local design firms carrying as much cache as that of the chef. Admittedly, this mindset has spawned silly details like Instagram walls and nonsensical neon signs and murals, but when done right, high-concept design is worth the investment when it comes to establishing mood and theme.

The Lodge
The Lodge Kitchen and Bar in the Legion building on Kensington Road has a very specific aesthetic. Darren Makowichuk/Postmedia Photo by Darren Makowichuk /DARREN MAKOWICHUK/Postmedia

Take The Lodge, a new mountain recreation-themed restaurant that just opened in West Hillhurst, in time for Canada Day. The restaurant sits on the main floor below the Royal Canadian Legion Branch #264 in what used to be the 1918 Tap and Table, which closed when the Legion sold the building earlier this year. The restaurant is now owned and operated by a group of industry professionals who knew their first step in ensuring the new restaurant’s success was to come up with a good concept that could transform the warehouse-like room into something cozy and inviting.

The Lodge
A cozy fireplace sits in the middle of The Lodge Kitchen and Bar. Darren Makowichuk/Postmedia Photo by Darren Makowichuk /DARREN MAKOWICHUK/Postmedia

The solution was to hire designers Way of Normal, a new hospitality-specific firm staffed with professionals who have drawn up some of Calgary’s most striking restaurants. The restaurateurs had already come up with the name “The Lodge,” which informed a swish mountain getaway look complete with ample wood paneling, hot tub-style booths, a shockingly realistic-looking faux fireplace, a little bit of taxidermy, and retro knickknacks scattered throughout. The 184-person capacity room feels scaled down thanks to design tricks that make the floor look higher and the ceiling lower, while also striking just the right balance between hipster chic and the kind of traditional room Legion members (who receive a discount) should find familiar and comforting.

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“We have the opportunity to become a local hangout for people in West Hillhurst,” says Chad McCormick, one of the restaurant’s co-owners. “This neighborhood is very family-friendly and we’re already noticing people seeing neighbors they haven’t seen for a long time here. It’s very quickly becoming a place for local people to meet up.”

Dishes on the menu at The Lodge.
Crispy Chicken Sandwich and Yam Fries, Chicken Yakitori and Tuna Poke Bowl dish at the Lodge Kitchen and Bar. Darren Makowichuk/Postmedia Photo by Darren Makowichuk /DARREN MAKOWICHUK/Postmedia

For the food, rather than pushing things over the top with a kitschy mountain-style menu, The Lodge opted for a pleasing collection of dishes suitable for a neighborhood family restaurant. It’s Canadiana in the sense that the menu offers a multi-cultural array of inspiration, with appetizers like the on-theme beer cheese fondue for two ($22) and flavourful bites like Korean-style dry ribs with a gochujang honey sauce ($18) and a ponzu-marinated tuna stack served with wonton crisps ($21). The entrees fall into the “well-executed favourites” category, with handhelds like smash burgers ($22) and Rueben sandwiches ($22) as well as a flavourful Hunan chicken bowl ($22) and wild mushroom rigatoni with garlic bread ($23).

Those hot tub barrel booths and the room’s chic table-height bar both deserve a classic cocktail and The Lodge delivers with a surprisingly long list of mixed drinks, many incorporating smokiness to fit with that woodsy theme. The Lodge also offers a weekly “apres hour” afternoon happy hour and weekend brunch.

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The Lodge is located at 1918 Kensington Road NW And can be reached at 587-352-1918 or through the lodge1918.com.

The patio at The Lodge
The patio at The Lodge is ready to welcome guests this summer. Darren Makowichuk/Postmedia Photo by Darren Makowichuk /DARREN MAKOWICHUK/Postmedia

***
Speaking of food that speaks to the beauty of our country, renowned chef and cookbook author Shane Chartrand has joined the team at the Maple Leaf restaurant in Banff as co-executive chef. The best way to get a taste of Chartrand’s signature culinary style is to order from a new feature menu he’s created to honor his own Indigenous culture and traditions as well as the Indigenous history of the Banff townsite, which sits on Treaty 7 territories.

The menu, designed to be ordered a la carte, includes exquisitely prepared dishes like a cinnamon-cured salmon appetizer with honey and birch glazed carrots and pumpkin seeds ($24), an 8-ounce piece of bison tenderloin with house applesauce, root vegetables, and potatoes ($80), cornmeal-crusted rainbow trout with wilted wild onions and deviled eggs ($45). For dessert, there is a huckleberry galette ($14), made with a recipe handed down from Chartrand’s father’s family.

“Indigenous culinary experiences showcase the deep connection between food, culture, and the land, providing visitors with an authentic taste of local cuisine,” Chartrand says. “The menu and my presence at The Maple Leaf provide a positive space to experience my food and tradition as feasts are a part of ceremonies, mindsets, and overall joy.”

The Maple Leaf is at 137 Banff Ave. in Banff. For more information or to see Chartrand’s full feature menu, visit banffmapleaf.com.

Elizabeth Chorney-Booth can be reached at [email protected]. Follow her on Instagram at @elizabooth.

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City Approves Design for Shirley Chisholm Monument in Prospect Park

On Monday, city officials approved designs for a monument to Shirley Chisholm, who, in 1968, was elected the first Black woman to serve in Congress, representing a district that encompassed her childhood neighborhood of Bedford-Stuyvesant. A national symbol of empowerment for women and people of color, Chisholm was also the first woman to seek the Democratic presidential nomination.

The Public Design Commission, which has authority over the city’s permanent art collection, unanimously approved the 32-foot-tall, yellow and green sculpture of the congresswoman, a slightly scaled-back version of the original design. It will rise near the southeast entrance of Prospect Park. The artists Amanda Williams and Olalekan B. Jeyifous presented their initial concept more than four years ago. The Department of Cultural Affairs has called it the first permanent public artwork in Brooklyn dedicated to a woman in history.

Chisholm died at age 80, in 2005. Her New York Times obituary recalled her as an “outspoken, steely educator-turned-politician who shattered racial and gender barriers.” In 2019, the Chisholm monument was proposed as the headliner of She Built NYC, an ambitious program created by the de Blasio administration — led by the former first lady, Chirlane McCray — to diversify the city’s sculptures with a commitment of up to $10 million over four years. At the time, there were only five public artworks in the city devoted to women.

But the program never lived up to its promise. The Chisholm monument, slated for completion by the end of 2020, was delayed by the pandemic and, two years later, the beginning of a new mayoral administration under Eric Adams. Commitments to memorialize additional women, including Billie Holiday, Dr. Helen Rodríguez-Trías, Elizabeth Jennings Graham, Katherine Walker, and the transgender activists Marsha P. Johnson and Sylvia Rivera, have also stalled on the city’s agenda without firm plans or attached designers.

“This administration is committed to working to tell a more complete story surrounding the trailblazing women who have shaped our city, and we are ready to get more of these projects back underway,” said Laurie Cumbo, New York City’s current Commissioner of Cultural Affairs.

Over the last four years, Williams and Jeyifous have scaled back their original proposal to satisfy city officials and comply with accessibility laws. The steel sculpture is now eight feet smaller; fencing around its base and sunken elements like a ramp have also been removed.

In their presentation Monday to the Public Design Commission, the artists said the monument — which also includes images of plants from Barbados, where she spent ages five through nine — would symbolize how Chisholm disrupted the perception of who belongs to the country’s democratic institutions and “ left the door open” to future generations of women.

“Depending upon your vantage point and approach to the Ocean Avenue entrance of Prospect Park, you can see Ms. Chisholm’s silhouette is inextricably intertwined with the iconic dome of the US Capitol building,” they said in a statement. “This trailblazing woman was not diminutive and this monument reflects how Chisholm’s collaborative ideals were larger than herself.”

Some critics have objected to the Chisholm monument’s placement outside of her original district further north in Brooklyn, but others have pointed out that she was a champion of the entire borough. In 1972, she announced her presidential bid for the Democratic ticket, becoming the first Black woman to seek that nomination from either major political party. Senator George McGovern from South Dakota would ultimately win the nomination but lose to President Richard Nixon in the election.

Chisholm’s campaign slogan when she ran for president was “unbought and unbossed.”

Before the hearing, some historians celebrated the city’s approval of the monument while seeking more answers on how officials would continue to fund maintenance of the sculpture. Across the city, memorials are crumbling after decades of neglect with conservation bills racking up millions of dollars. On the side of the park opposite where the Chisholm statue will go, the Soldiers’ and Sailors’ Arch is currently wrapped in scaffolding and will undergo a $6 million face-lift.

“They have to build these things to stand up to the ages,” said Michele H. Bogart, an art historian specializing in the city’s public works.

But overall, Bogart was happy to see Chisholm honored. “If there were people concerned about there not being any memorials to women, this is an attempt to compensate,” she said. “The silhouette of her hairdo will echo the treetops in the park.”

During the public hearing, officials criticized the monument as “beautiful,” and a potential meeting spot for political activists. “This is the most exciting project that I have seen since I have been a commissioner,” said Jimmy Van Bramer, a former member of the New York City Council, who joined the Public Design Commission in December.

He said that the sculpture would become the backdrop for political rallies and marches, adding, “I would imagine Shirley Chisholm would love that idea.”

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Wiz Khalifa Throws Out First Pitch at Pirates Game While on Shrooms

Wiz Khalifa had the honors of throwing out the first pitch prior to tonight’s Pittsburgh Pirates game — and he did so while on shrooms.

“Finna get stoned af and throw this first pitch at the pirates game,” the rapper tweeted prior to taking the mound. “Shroomed out throwing in a baseball is crazy.” The magic mushrooms didn’t seem to have much of an effect on Khalifa’s abilities, as he managed to get the ball across home plate — albeit a bit outside.

Khalifa letters enjoyed some munchies in the form of Cracker Jack.

It’s worth noting that Khalifa isn’t the first person to take a Pittsburgh Pirates mound while under the influence. Back in 1970, Dock Ellis famously threw a no-hitter while on acid.

Earlier this month, Khalifa kicked off “High School Reunion Tour” with Snoop Dogg, Too $hort, and Warren G. The 33-city outing runs through the end of August and tickets are available to purchase here.

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Bangalore Metro News: Namma Metro changes pillar design to save road space on ORR | Bengaluru News

BENGALURU: The Bangalore Metro Rail Corporation Limited (BMRCL) has changed the structural design of columns it is building at six spots along an 18-km stretch of Outer Ring Road (ORR) to save carriageway space post construction.
Portal beam structures are replacing Metro pillars at the six spots where split flyovers stand. Metro’s Blue Line, connecting Central Silk Board Junction and Kempegowda International Airport, is slated to run between the split flyovers. Going by the designs hitherto used, the space would have been lost to huge pillars, BMRCL officials said.

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Namma Metro’s pillar design change at split flyovers along the Outer Ring Road could not have come in a better place. But these are changes that will yield fruit only in the long term. BMRCL has a bigger and immediate challenge on hand: Fast-track work in the corridor and coordinate with other stakeholders such as business establishments and traffic police to alleviate the pain of road users. True, motorists’ nightmare on the stretch predates Metro work but that is no reason to expect them to endure more of it.

Portal beams are basically beams supported at either end by columns. Instead of a huge 2-metre-wide pillar, two not-so-wide columns will be built to support viaducts. After construction, unidirectional flow of traffic will be allowed between the two pillars, BMRCL officials explained.
BMRCL is building portal beam structures at HSR Layout, Agara, Bellandur, Doddanekkundi, DRDO, and Deverabeesanahalli.
“Usually, BMRCL builds Metro pillars on the median of the road. On an average, 2m of space is required to build one pillar. Construction of such pillars on the narrow space between two flyovers would result in space wastage. To make optimum use of the space, we’re building the portal beam structure so that traffic can move below the structure. Road widths of 5.5-6 meters will be made available for traffic flow,” BMRCL executive director Indra Bhushan Jha told TOI.
The official added that the height of the columns ranges from 12m to 16m.
Considering the traffic density on ORR, constructing the elevated corridor on the stretch has been a big challenge for BMRCL. The agency maintains that wherever it is done with viaduct work, barricades are being removed to provide more space for traffic on the main carriageway.
Tech park advisories
Regular ORR users have been complaining about increased traffic congestion because of Metro work. Some tech parks have even issued traffic advisories to their employers after BMRCL started launching U-girders spanning critical locations.
Srikanth R, a techie, said, “Near the flyovers, the gantry cranes being used to launch the girders are affecting traffic movements. The authorities concerned should complete the Metro construction work as early as possible and remove the barricaded area wherever possible. It is it is also important to keep the roads in good condition for smooth flow of traffic.”

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Design software deal could harm UK digital economy

  • Initial investigation finds Adobe’s purchase of Figma could reduce innovation.
  • Adobe has five working days to submit proposals to address the CMA’s concerns.
  • Otherwise, the investigation will proceed to an in-depth phase 2 review.

Adobe is a global software developer and specializes in products which allow customers to create and edit images (including its industry-standard Photoshop and Illustrator applications), as well as video, motion design, and interactive content. Figma, which was founded in 2012, is a leading provider of screen design and whiteboarding tools. Screen design software is an increasingly essential tool that enables users to design digital products and services such as applications and websites. Adobe announced it would acquire Figma for $20 billion in September 2022.

The Competition and Markets Authority (CMA) has identified concerns in the supply of screen design software, where Adobe’s and Figma’s products compete. The CMA found that Figma has established a substantial share of the market for screen design software and that Adobe has been continuously investing in and competing in this segment. The CMA found that competition between Figma and Adobe has driven investment in updating and developing screen design software, and this important rivalry could be lost if the deal goes ahead.

The CMA also identified concerns in the provision of creative design software, where Adobe offers some of the leading tools for image, video, and animation content. The CMA’s investigation found that Figma is an emerging competitive threat to Adobe across these tools, and that Figma is well-placed to expand its offering and provide an increased constraint to Adobe. This rivalry and innovation is important to the sector and could be threatened by this deal.

Many start-ups and other businesses rely on the software products provided by Adobe and Figma to produce apps and websites, as well as engaging content. The UK app economy alone was worth £19.4 billion in 2022. The CMA is concerned that Adobe’s plan to acquire Figma removes a leading player from the market and reduces both firms’ incentives to invest in software development and compete against one another, which could result in higher costs as well as fewer and less innovative products.

Sorcha O’Carroll, Senior Mergers Director at the CMA, said:

Products sold by Adobe and Figma are critical for the development of digital services that people and businesses use on a daily basis – be that popular apps and websites selling anything from holidays to streaming the latest movies.

We’re worried this deal could stifle innovation and lead to higher costs for companies that rely on Figma and Adobe’s digital tools – as they cease to compete to provide customers with new and better products.

Unless Adobe can put forward viable solutions to our concerns in the coming days, we will move to a more in-depth investigation.

More information can be found on the CMA’s Adobe / Figma case page.

Notes to editors

  1. A summary of the CMA’s key findings has been published on the case page. The full text decision will be available in due course.
  2. Adobe and Figma have 5 working days to offer legally binding proposals to the CMA to address the identified concerns. The CMA would then have a further 5 working days to consider whether this addresses its concerns, or if the case should be referred to the next stage, a Phase 2 investigation.
  3. According to market research specialists IBISWorld, the app development industry in the UK was worth £19.4 billion in 2022 and grew faster than the wider technology sector overall.
  4. The CMA’s investigation looked at a series of software tools which are widely used in the creative industries sector and provided by both Adobe and Figma – these included:
  • Screen design: Creating design flow of websites and applications. The design includes graphical layout and user experience flow.
  • Vector editing: vector graphics editing to create content (eg logos, icons, brand graphics).
  • Raster editing: pixel-based image editing and compositing (eg adjusting or retouching photos or composting multiple images).
  • Video editing: video editing (cutting, arranging, and enhancing already available materials) to create video content (eg video clips or feature films)
  • Motion design: motion graphics and creation of visual effects.

For media inquiries contact the CMA press office on 0203 738 6460 or [email protected]

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Elton John Plays Final Concert of Farewell Tour: Video + Setlist

Sir Elton John played the final concert of his long-running farewell tour at the Tele2 Arena in Stockholm, Sweden on Saturday night.

John’s final show featured a 23-song career-spanning setlist, including greatest hits “Bennie and the Jets,” “Rocket Man,” “Tiny Dancer,” “Philadelphia Freedom,” as well as a three-song encore of “Cold Heart ,” “Your Song,” and “Goodbye Yellow Brick Road.”

“When we set off on my final tour in 2018, I couldn’t have foreseen in my wildest dreams the twists and turns and the highs and lows of this tour – and the whole world – would have experienced in the next five years,” John said in a statement following the concert. “And every step of the way, my fans have been there. They have stuck with me, they have supported me, they have been patient, and they have kept turning out for every single last show. Tonight has been magical. I’m trying to process it, and I don’t think it will sink in for a while yet that I’m finally finished touring. I can’t tell you how much I’m going to miss the fans and how much their support has humbled me – it will stay with me forever.”

During the set, Coldplay appeared via live video-link to toast John. “Elton, from all of us here, from all the bands and artists you’ve helped and inspired, we love you so much,” said frontman Chris Martin. “We are so grateful for everything you’ve done for the AIDS Foundation, anytime you’ve been kind to anybody. For everything you’ve done for LGBTQ. Everything you’ve done for fashion and eyewear. Everything you’ve done for sexiness, and love, and dressing gowns! Everything you’ve done for music, everything Bernie has done for lyrics, everything your band has done over the thousands of shows you’ve done. We love you so much, we’re going to miss you so much.”

See photos, videos, and the setlist from John’s final night of touring below.

All told, John’s “Farewell Yellow Brick Road Tour” spanned more than 300 shows (including a headlining set at Glastonbury), selling 5.7 million tickets and $900 million dollars. While the tour marks John’s final global outing, the 76-year-old musician hasn’t ruled out performing one-off shows in the future.

“It’s really important to make a distinction between Elton retiring from touring but Elton not playing his very last public performance for the very last time,” David Furnish, John’s husband and manager, previously told Billboards. “I know for a fact he will not be touring in any capacity. What you’re going to see is the possibility of a special one-off or a small residency in one venue for a limited period of time.”

Setlist:

Bennie and the Jets
Philadelphia Freedom
I Guess That’s Why They Call It the Blues
Border Song
Tiny Dancer
Have Mercy on the Criminal
Rocket Man (I Think It’s Going to Be a Long, Long Time)
Take Me to the Pilot
Someone Saved My Life Tonight
Levon
Candle in the Wind
Funeral for a Friend/Love Lies Bleeding
Burn Down the Mission
Sad Songs (Say So Much)
Sorry Seems to Be the Hardest Word
Don’t Let the Sun Go Down on Me
The Bitch Is Back
I’m still standing
Crocodile Rock
Saturday Night’s Alright for Fighting
Encores:
Cold Heart
Your Song
Goodbye Yellow Brick Road

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Nine jewelery projects by students at the Lucerne School of Art and Design

Dezeen School Shows: a jewelery collection made from packaging foam is included in Dezeen’s latest school show by students at the Lucerne School of Art and Design.

Also featured is a helium-filled object designed to float alongside the wearer and a project exploring how AI can generate jewelery designs.

Institutions: Lucerne University of Applied Sciences and Arts
School: Lucerne School of Art and Design
Courses: Bachelor XS Jewelery
Tutors: Christoph Zellweger, Ilona Schwippel, Anina Schenker, Thai Hua, Monica Gaspar, Peter Bauhuis, Gabi Veit, Kiko Gianocca, Suzan Curtis and Salome Bruggisser

school statement:

“XS stands for everything special, the X-tra and the X-tended. In other words, an enhanced, forward-looking definition of jewelery.

“Students’ individual art-design stance is explored via interdisciplinary crossovers in jewelery design, performative objects, wearable designs, medical prostheses, digital materiality, conceptual craft and art.

“What emerges at the end of each entirely individual learning process is the authentic – wearable statements and emotionally evocative products that convey meaning regarding the crucial questions of desirability, viability, sustainability and social relevance.

“What is too much, what is X-cess, what is eS-sential? Which items are important, what do we carry around with us, and why?”

White balloon with black fins by Lucerne School of Art and Design student

Airborne Companion: Making Dreams Take Off by Tobias Bieri

“Airborne Companion is based on the idea that jewelery should accompany a person and symbiotically match people’s lives.

“The object developed by Tobias Bieri is intended to be light and animating. The result is a helium-filled companion that joins the user side-by-side and can be steered by gestures.

“A vivacity is conjured up in the fantasy of the user before their own eyes. The rest is handwork, technology and the struggle to find the right material, preventing thoughts from floating completely away.”

Student: Tobias Bieri
Tutors: Ilona Schwippel, Anina Schenker, Thai Hua, Christoph Zellweger and Monica Gaspar
E-mail: zamary. bieri[at]gmail.com

Silver gems placed in an X shape on the back of a tattooed model

Spinning Mini-Me: The Collection by Jenny Christen

“Like gyroscopes, we revolve around ourselves – around our ideal image of ourselves.

“Spinning Mini-Me collection is derived from photos of the designer’s own self-spinning body, with Christen creatively exploiting the dance imbued with stigma and associations as a metaphor.

“She scales silhouettes and the turns generate abstract volumes. Spinning tops are like pole dancers or performers – they dance on tables, on mirrored surfaces, and like us seeking a stage.”

Student: Jenny Christian
Tutors: Ilona Schwippel, Thai Hua, Anina Schenker, Christoph Zellweger and Monica Gaspar
E-mail: jenny. christian[at]hotmail.com

Model crouched down with skeletal white jewelery placed on her back and fingers by Lucerne School of Art and Design student

Embodiments: A Collection of Uncanny Body Extensions by Nicole Eugster

“The Embodiments by Nicole Eugster are objects for special use.

“Placed on the body, they oblige the wearer to undertake new patterns of movement, shift the perception of distance and closeness, create an awareness of one’s own gestures and the influence of others.

“Embodiments are objects that lend power to those who surrender to them. Ambiguous in appearance – between the magical and the morbid – they invite the wearer to a self-empowering role play and to dance in twilight in between worlds.”

Student: Nicole Eugster
Tutors: Ilona Schwippel, Anina Schenker, Thai Hua, Christoph Zellweger and Monica Gaspar
E-mail: eugster. ni[at]gmail.com

Green bangle on a tattooed arm by Lucerne School of Art and Design student

Kill Your Darling: Confessions of a Goldsmith by Benedict Haener

“Diamonds, gold, sapphires, pearls – the world of the trained goldsmith Benedict Haener revolves around precious materials, inherent beauty, and felt and real (monetary) value.

“In Kill Your Darling, Haener rethinks these acquired traditions. With manual finesse, he pursues new design strategies and combines them into a collection.

“Innovations are impossible without abandoning what is dear to one.”

Student: Benedict Haener
Tutors: Ilona Schwippel, Anina Schenker, Thai Hua, Christoph Zellweger and Monica Gaspar
E-mail: benedict. haener[at]bluewin. ch

A floral-like pink sculpture on a black background

Searching for the Soul: Potential for Generating Jewelery in AI by Fabian Laffitte

“‘Fabian Laffitte says that ‘jewelry needs soul’ but how can one search for the quality of being enlivened by soulfulness in images generated using artificial intelligence?

“Laffitte has attempted to do so, revealing his processes and showing his findings as a curated staging of 2.5-dimensional reliefs. He says it is not jewelery, but he sees potential in it.

“However, his mistrust vis-à-vis the randomness – the banality and emptiness of the tool predominates.

“Minus artistic intention, AI simply offers an infinite number of surfaces, which tend to be more distracting than helping in the search for a soul and essence.”

Student: Fabian Lafitte
Tutors: Ilona Schwippel, Anina Schenker, Thai Hua, Christoph Zellweger and Monica Gaspar
E-mail: fabianlaffitte[at]hotmail.com

Person with pink hair standing over a black board displaying jewelery by Lucerne School of Art and Design student

To Be Continued: Fragments of My Diary by Josephine Meylan

“As an obsessive collector of mementoes, Josephine Meylan records the traces of her life in jewelery.

“Fleeting moments of the day, reflections or things already experienced are given forms with materials that are meaningful to him, sometimes with existing objects.

“Memories are made visible and physically tangible to be worn as jewelery and companions. Each piece tells a personal story.

“Meylan allows us a glimpse into her everyday life and reveals fragments of intensely lived time.”

Student: Josephine Meylan
Tutors: Ilona Schwippel, Anina Schenker, Thai Hua, Christoph Zellweger and Monica Gaspar
E-mail: josephine. meylan[at]googlemail.com

Green ombre bulbous bracelet on a person's arm by a Lucerne School of Art and Design student

Wobbly Angel Struggling: Or How to Not Grow Up by Kaja Saxer

“Zialo draws. Zialo is three years old, has a vivid fantasy and is bubbling with ideas.

“Zialo always finds online ingenious solutions for everything. Zialo is Saxer’s childlike alter ego.

“In Wobbly Angel Struggling, Saxer absorbs Zialo’s unframed approach to art. Inspired by children’s drawings, she creates a collection of airy, wobbly objects.

“What do we lose when we grow up? How can we preserve a certain carefreeness while learning professionalism?”

Student: Kaja Saxer
Tutors: Ilona Schwippel, Anina Schenker, Thai Hua, Christoph Zellweger and Monica Gaspar
E-mail: kaja. saxer[at]gmail.com

A pink bracelet made of packaging foam shaped into a jewel shape

Surprise Me Once Again: A Collection of Foamy Memories by Christiane Stock

“Who doesn’t know that momentary feeling of happiness when a surprise succeeds?

“Christiane Stock’s work involves condensing, both in terms of content and physically.

“Stocks works with foam. It is an omnipresent packaging material whose characteristics she has researched in order to conjure up wonders – both small and large – and all manually highly accomplished.

“The Surprise Me Once Again collection is a call to playful interaction. When is packaging packaging and when does the content become wearable jewelery?”

Student: Christian Stock
Tutors: Ilona Schwippel, Anina Schenker, Thai Hua, Christoph Zellweger and Monica Gaspar
E-mail: stock. christiane[at]gmx.de

Black paint splatters painted on a person's chest

Living Traces: Pigments on the Skin by Lea Tschanz

“People are always moving, each body in its unique way, to their own tactile. Lea Tschanz places small objects, utensils and tools soaked in pigments onto the bodies of her family and on herself.

“These items respond to their movements like seismometers. The results are unique traces and unexpected patterns on the skin.

“Tschanz then photographed them in order to recall them. The color on the skin is jewelery to her – completely archaic, completely primal, and completely in the here and now.”

Student: Lea Tschanz
Tutors: Ilona Schwippel, Anina Schenker, Thai Hua, Christoph Zellweger and Monica Gaspar
E-mail: leatschanz[at]hotmail. ch

Partnership content

This school show is a partnership between Dezeen and Lucerne School of Art and Design. Find out more about Dezeen partnership content here.

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How to design better flags

HAVE YOU ever met a vexed vexillologist? This is someone who frets when flags are badly designed. Sadly, too many flags flutter to deceive: they are cluttered with imagery, a mess of colors and all too easily forgettable. Yet flags matter. Witness Ukraine’s blue-and-yellow banner, which now serves as a potent symbol around the world (not to mention on this newspaper’s covers). A fine flag can be something that citizens feel proud to pledge allegiance to, as well as an excellent marketing tool. Canada’s red maple leaf, for example, has advertised the country on countless backpacks across the world.

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A bad banner has an obvious solution: change it. That is what several American states and cities have been doing, or at least contemplating. In March, Utah approved a new standard with a bold beehive to replace its fussier old flag. Maine may ask voters to decide in November whether it should switch from its current, over-intricate design to a different one with a plain pine tree and a blue star, a reinterpretation of an older banner, which is already proving popular. The design is not yet settled, so perhaps a flag with a lobster could pinch the honors at the last minute.

Many people in Minnesota may not even realize they have a state flag—which is lucky. The state representative who has led a campaign to replace the current one has described it as “a cluttered genocidal mess”. Its imagery includes three dates from the 1800s, a French motto and a Native American riding away in the background while, in the foreground, a farmer tills the land. A new design is due to replace it next May.

Fortunately, the world has centuries of experience that can help guide better flag design. This has led to a few well-established rules. First, keep it simple. A good test is whether a child can draw it from memory. Japan’s red circle in a white rectangle passes the test with, er, flying colors. So does New Mexico’s design (pictured), another red-sun symbol, against a yellow background; it is a thing of simple beauty.

Second, use meaningful symbolism: think Israel’s Star of David, the Soviet hammer-and-sickle or America’s 50 stars, representing all its states, and 13 stripes, evoking the original colonies. (Mozambique, showing an AK-47 assault rifle, perhaps went too far.) Third, limit the palette to just a few basic colors. True, as South Africa’s black-gold-green-white-red-blue emblem shows, it is possible to break this rule successfully, but even the rainbow Pride flag, in its most familiar version, cut two colors from its original eight, because hot pink and cool turquoise made it hard to manufacture. The fact that banners are often viewed from the back helps explain a fourth sensible rule: avoid lettering.

Last but certainly not least: be distinctive. You will then avoid the situation of Indonesia and Monaco, whose flags look the same, as do Romania’s and Chad’s. Nepal’s jagged double-pennon, by contrast, is delightfully unique—the only national flag with an irregular shape. Similarly, Jamaica’s is the only one without red, white or blue. Switzerland and the Vatican stand out as the only countries with flags that are square.

Sometimes proposals for new flags fail. Badges of identity evoke strong feelings. New Zealanders rejected a switch in a referendum in 2016. Traditionalists can feel attached to old emblems. But from Maine to Milwaukee, plenty of places—call them flaggards—have dreadful, old-fashioned banners that are ripe for change. In 2004 Pocatello, Idaho, was reported in a survey of vexillologists to have the worst city flag in America. It was changed in 2017, and in a survey last year the new flag ranked 11th in the country. Come on, flaggards, do the Pocatello. ■

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Let there be light | National Post

Published June 30, 2023 • 3 minute read

Clever furniture placement
Clever furniture placement in this sunroom turned living room in Prince Edward County maximizes views of the lake. Photo by Tiffany Leigh Design photograph

Indoor garden rooms first started trending among Victorians, who grew giant palms and other exotics in them. They used these spaces for drinking tea and improving their health in the sunshine and fresh water they offered. But for modern decorators, a room that’s mostly windows can present challenges. Where do you put the couch?

As Toronto-area designer Michele Berwick observes, “Sunrooms are unique in the sense that you either have very (few) walls or no walls at all to place furniture on, so you need to approach them in a different way.”

Her first trick for making these rooms work is to opt for “non-traditional furniture arrangements.” A pair of chaise lounges facing the windows can work, she suggests, with a little side table between them. Or perhaps a curved sofa floating in the middle of the room, for taking in the view all around you.

In a room full of windows, Tiffany Leigh Piotrowski, principal designer and founder of Tiffany Leigh Design, aims to maximize both the view and the intended function of the room. “We like to use this type of space for reading, sipping coffee, doing a puzzle, or getting work done on a laptop, so a long, low bench under the windows paired with a small table is a perfect solution.”

Skylights and windows
A skylight and wraparound windows bring light into a bedroom. Photo by Four Seasons Sunrooms photograph

For a sunroom intended for lounging, “comfy, not fussy, furniture is the way to go,” says Berwick, who uses “lots of pillows, throw blankets and baskets with more pillows and throw blankets. Spread out magazines and books on the coffee table, and if possible, frame out the windows with sheer white drapery, not to block the view but to enhance it.”

All that light, however, can take a toll on furnishings. Berwick warns that even in rooms with double- or triple-glazed windows and special UV coatings, the sun damages ordinary fabrics over time, causing fading, color changes and breakdown.

“I use high-performance outdoor fabrics in sunrooms,” Berwick says. “They are made to be outside, taking the hit from the sun at all times.” They’re also more stylish than they used to be. “Gone are the days of stiff, plastic-like fabrics. You can’t even really tell they were made for the outdoors.”

For homes that don’t have a sunroom, modular or prefab sunrooms or solariums are a popular alternative to custom architectural additions.

Sunlight dining area
Skylights and bi-fold doors create a sunroom-dining area in this house. Photo by Four Seasons Sunrooms photograph

Earlier models were less complicated to install than a traditional addition but had a number of drawbacks, among them a basic appearance and a tendency to leak. But according to Matt Jacewicz, president of Four Seasons Sunrooms’ GTA location, modern-day versions carry good warranties against defects, leakage and even glass breakage, and are customized to buyers’ specifications.

Sunroom extensions
A sunroom extension can make the backyard feel usable in four seasons. Photo by Four Seasons Sunrooms photographs

Along with regular sunrooms and solariums, his company installs porch enclosures, three-season rooms with single-paned glass, bump-outs, skylights and atriums. “We even created a glass bathtub enclosure once. It was in the country, so there were no worries about privacy, and the view was amazing,” Jacewicz says.

it‘it’s impossible to say whether a modular sunroom compares favorably in cost to a bespoke addition, since there are so many variables. But where the modular product offers real advantages, Jacewicz says, is in construction efficiencies. The components are pre-manufactured offsite and trucked to clients’ homes; he likes putting one together to build a giant Tinker-Toy set.

Whether it’s a prefab job, or classic sunroom or conservatory in a century home, there’s something about a sunroom that makes those who occupy it relax. “Sunrooms are just such a special spot in the house,” says Berick. “They’re unlike any other room.”

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